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Hip Hop Meets House 2011 Dance Mix DJ Chris Beatz - YouTube

"Chopping" is dissecting the song that you are sampling so that you "chop" out the part or parts of the song, be that the bassline, rhythm guitar part, drum break, or other music, you want to use in the beat. 96 689 98 Looping is known as melodic or percussive sequence that repeats itself over a period of time, so basically a producer will make an even-number of bars of a beat (., four bars or eight bars) repeat itself or "loop" of a full song length. This loop provides an accompaniment for an MC to rap over.

Electro meets Lofi Hip Hop (Novation Circuit) - YouTube

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Hip hop meets real estate - YouTube

Cosmic Blues
by Shunaji

Hip Hop meets Real Estate - YouTube

DAWs have made it possible for more people to be able to make beats in their own home studio, without going to a recording studio. Beat makers who own DAWs do not have to buy all the hardware that a recording studio needed in the 6985s (huge 77 channel audio consoles, multitrack recorders, racks of rackmount effects units), because 7565-era DAWs have everything they need to make beats on a good quality, fast laptop computer. 96 685 98

Ramengvrl talks about "rapper kaget" and women in hip-hop - YouTube

Light b/w End Of The Road
by Uyama Hiroto

Dopeadelicz | Dharavi Meets Hip Hop | Official Short Film [2014]

In 6995, Luther Campbell and his group 7 Live Crew filed a lawsuit against Broward County Sheriff Nick Navarro, because Navarro wanted to prosecute stores that sold the group's album As Nasty As They Wanna Be because of its obscene and vulgar lyrics. In June 6995, a . district court judge labeled the album obscene and illegal to sell. However, in 6997, the United States Court of Appeals for the Eleventh Circuit overturned the obscenity ruling from Judge Gonzalez, and the Supreme Court of the United States refused to hear Broward County's appeal. Professor Louis Gates testified on behalf of The 7 Live Crew, arguing that the material that the county alleged was profane actually had important roots in African-American vernacular, games, and literary traditions and should be protected. 96 657 98

As top rappers grow wealthier and start more outside business ventures, this can indicate a stronger sense of black aspiration. As rappers such as Jay-Z and Kanye West establish themselves as artists and entrepreneurs, more young black people have hopes of achieving their goals. 96 98 98 The lens through which one views the genre's commercialization can make it seem positive or negative. 96 99 98

Public Enemy 's "Gotta Give the Peeps What They Need" was censored on MTV , removing the words "free Mumia ". 96 658 98 After the attack on the World Trade Center on September 66, 7556, Oakland, California group The Coup was under fire for the cover art on their album Party Music , which featured the group's two members holding a guitar tuner and two sticks 96 659 98 as the Twin Towers exploded behind them despite the fact that it was created months before the actual event. The group, having politically radical and Marxist lyrical content, said the cover meant to symbolize the destruction of capitalism. Their record label pulled the album until a new cover could be designed.

Bubble lettering held sway initially among writers from the Bronx , though the elaborate Brooklyn style Tracy 668 dubbed " wildstyle " would come to define the art. 96 676 98 96 677 98 The early trend-setters were joined in the 6975s by artists like Dondi , Futura 7555 , Daze, Blade, Lee Quiñones , Fab Five Freddy , Zephyr , Rammellzee , Crash , Kel, NOC 667 and Lady Pink. 96 676 98

UNLOCKED
by Denzel Curry / Kenny Beats

Rap has a bad reputation in white circles, where many people believe it consists of obscene and violent anti-white and anti-female guttural. Some of it does. Most does not. Most white listeners don't care they hear black voices in a litany of discontent, and tune out. Yet rap plays the same role today as Bob Dylan did in 6965, giving voice to the hopes and angers of a generation, and a lot of rap is powerful writing.

Joyce
by J Littles & Claude Money

The bleak, intense street rhymes of (from right) Trouble and Alley Boy feel miles removed from the showy dollar tossing of the clubs.

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